Eric Karsenty
Journalist
Diplômé de l’ENSP d’Arles, Éric Karsenty a travaillé au Mois de la photographie à Paris avant de rejoindre une agence de photographes de presse, comme rédacteur en chef. Sa formation s’est poursuivie par un cursus de journaliste secrétaire de rédaction, ce qui l’a conduit à travailler dans différents médias, dont Images Magazine. De 2014 à 2024, il a assuré la rédaction en chef du magazine Fisheye, et il est aujourd’hui responsable de sa maison d’édition. Depuis 2024, il est correspondant de l’Académie des Beaux-Arts.
All his/her articles11
With Blue Bayou, French photographer Martin Colombet paints the portrait of his lover Tess, deep in the forests where she grew up....
Paper, coton, sugar, flour, coffee. Dominique Teufen uses whatever she can find to construct images that will surprise her.
Fisheye’s readers already know Kevin Faingnaert, this 32-year-old Belgian photographer whose work on European wrestlers we published, and...
The second edition of the InCadaqués festival opened this week-end and welcomes you until September 30th, in an idyllic place. An...
Now living in Miami, Florida, Anastasia Samoylova was born and raised in Moscow and started attending several artistic residencies in the...
In Brussels, the Eyes Wild Open exhibition has united a group of authors who – each on their own time, and in their own way – have...
Sebastião Salgado, who was installed at the Académie des Beaux-Arts of the Institut de France on December 6 by Yann Arthus-Bertrand at...
The world of photography books has drastically changed. These last ten years, new digital devices of production, finance and...
In his autoradiographs, Masamichi Kagay reveals the remains left by the radioactive discharges on objects, flora and fauna. Influenced...
Jean-Christian Bourcart allows us to reflect on the use of political pictures with the presentation of Jour de colère “Day of wrath – ed”...
Collaborator amongst the French media such as, Libération, Elle, Télérama, Madame Figaro, IO Donna, Financial Times and Fisheye upon...
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